1764年,贺拉斯·华尔浦尔出版了英国文学史上第一部哥特小说《奥特兰多城堡》。小说神秘莫测的魔幻色彩以及围绕伊莎贝拉情感发展的曲折剧情折服无数读者。长久以来,该小说被认为是以意大利南部某座小镇为蓝本写就的,但是自幼热爱该小说的霍瑞斯·威博却始终未能在意大利当地找到符合书中描述的城堡。偶然机会,他从友人寄来的明信片上找到线索,从而在捷克位于纳霍德附近的奥特汉妮城堡取得重大发现。 导演撷取书中重要章节和剧情,穿插霍瑞斯走访当地的照片和研究,向所有《奥特兰多城堡》的忠实书迷展现那座神秘城堡的真实面貌……
1980年奥斯卡最佳动画短片。 两名口技演员抱着小孩开始了表演,各种声音向我们讲述了一个孩子和大人间的故事。 童话里孩子被当作礼物,由安琪儿送到每个人的门口。然而每个人面对孩子的到来,却有着不同的感触。有的只是一时兴起,有的难以割舍工作或是自由的生活。结果孩子从一个门口 被送到另一个门口。直到一个能够真正接受他,爱惜他,让他成为生活中快乐源泉的地方,而那里却不一定有一扇门。
本片处处皆是动人的意象,拍竣即获多个大奖(其中1984年奥林匹亚动画大展评委会授予此片为“有史以来最伟大的动画影片”),被誉为“世界上最美的动画片”,2006年法国安锡(Annecy)国际动画电影节上,本片被评为“动画的世纪·100部作品”第六名。
漫步在田野上的农夫与太空来客相遇了:只要有善意,总是可以互相理解的。 面向青少年及成人观众。
女孩尚未出生,就在妈妈的肚子里和爸爸交上了朋友,爸爸时常逗得她哈哈大笑。而在出生后,她更是从爸爸那儿得到了许多快乐,度过愉快无忧的童年。 女孩渐渐长大,和妈妈之间的矛盾多了起来,慢慢老去的爸爸也不再是她快乐的源泉,爸爸和她同时被孤独笼罩。遇到心中的白马王子后,女孩找到人生的另一番乐趣,远离了爸爸妈妈。结婚生子时,女孩意识到爸爸妈妈是生命中的不可或缺。
1978年奥斯卡最佳动画短片。 莱恩的妻子上班前叮嘱他清理自家门前的积雪,可是莱恩从来不会听从妻子的指示。待他出门回来,发现可怜的邮递员在自家门前滑倒,跌断了脖子。惹了祸的莱恩悄悄换上邮递员的制服送信,把邮递员留在家里,却被警察当作小偷抓了起来。更巧的是,这个邮递员正是妻子的情人,妻子回来后看到赤身裸体躺在家里的情人,会怎么办呢? 故事荒唐却又平静的进行下去。直到第二年的冬天,莱恩还是没有清理门前的积雪。
I was absolutely floored for the six minutes that I spent viewing "The Bead Game". Using nothing more than cheap decorative beads, we are given a short history on the development of the animal side of nature. The end of "The Bead Game" was powerful statement on how animalistic and brutal humans are toward one another. In the twenty-five years since this short film was made, humans have advanced their intelligence in the areas of weaponry, brutality, and violence. It seems the most obvious and significant advance has been the marketing of mass media that seems to glorify violence. "The Bead Game" stands a sort of a testament and a warning that humanity is on a doomed path if we continue forth in the areas of war and destruction. I give this animated masterpiece a 10 out of 10! PS: There are laws of war and revolution. One is the law of unintented consequences. You have to bevery careful when you come upon a proverbial Pandora's Box. Once you choose that open that box, you don't completely expect every aftershock that will be wrought from it and it will take a very long time to overcome them
This is a really interesting film about how large the universe is and how powers of ten become so drastically distant. It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on. Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds. After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.
宽大的餐桌前,坐着一个一本正经的男子。他面前的酒杯里放着一枚鸡蛋,他拿起勺子,准备享用这个无上的美味。然而奇怪的事情随即发生,当勺子敲打鸡蛋时,竟从蛋壳里发出询问的声音,“嗨,是谁呀?”。男子对此非常好奇,于是开始不断地敲打,而那个神秘的声音也从闻询变成质疑、愤怒甚至恐慌,好像在阻止可怕的事情发生一般。不过男子兴致高涨,干脆捏破了这枚鸡蛋。 恶作剧结束,奇怪的声音销声匿迹。当男子端正坐好准备进餐时,又一件奇怪的事情发生了……
A military scientist creates a mind-reading weapon for his generals on a remote island. After the demonstration, the generals are pleased. Little do they realize, both the weapon, and the creator of the weapon have a mind of their own.
An investigation into a blue horse with roller skates in an apartment building turned into a nightmare.
Krabi (1976) 12 min - Animation | Short | Sci-Fi - 1976 (Czechoslovakia)
A particularly creative example of the pinscreen animation technique, this film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words.
本动画片根据俄罗斯民间传说故事改编,幽默的动画将恋爱的精髓说尽。 鹭向鹤求婚,鹤眼里只见他的缺点,一口回绝,鹭转身刚走,鹤便觉得他的缺点未尝不是优点,跑去找鹭,说自己有心嫁他,这回是鹭端起架子,说自己改变了注意,鹤气得扭头就走,鹭想了一会,赶紧去追,可是鹤理都不理。雨天让鹤觉得和鹭一起生活会好过一个人孤零零地过日子,再去找鹭,鹭又是一副拒绝的表情……就这样,鹭和鹤在嫁娶问题上反反复复,一会好得恨不得一辈子都不分开片刻,一会又想对方迅速在自己眼前消失。
深夜,青年的母亲在纺车前异常疲惫地纺线,因一直无法为工人争取到应有的权利而精疲力竭的他则在一旁昏睡。清晨,老婆婆来取纺好的棉线时,青年生出一种奇怪的感觉,他不知母亲已在他熟睡之时被纺进了棉线;而看到老婆婆售卖用这些棉线织成的毛衣时,他再生奇怪的感觉。后来,因为无人有钱购买,这件毛衣被老婆婆送去了当铺。 寒冬来临,穷人被蒸发进空中的梦想、灵魂和希望化为雪花,无休无止地飘落下来,令以前高高在上的资本家渐渐变得渺小可怜。而那件织进青年母亲灵魂的毛衣被寻觅温暖处所的老鼠偶尔咬破变成了鲜红的毛衣后,飘落在青年身上温暖了他,苏醒过来时,他突然意识到自己是一个诗人,也看清了工作的方向和意义。 ©豆瓣
Just watched this on the National Film Board of Canada site where they have about 300 of their material presented for your enjoyment. Having previously viewed and commented on a couple of shorts associated with animator Ryan Larkin, I was excited when Street Musique was presented on the NFB site twice in both French and English title form (otherwise, it's the same film). Starting with black-and-white live-action of a fiddle player and a mandolin player performing on a downtown sidewalk, Larkin then does abstract line drawings on white that become images that are very hard to describe. He then does some watercolor (at least that's what I think it is) images that are likewise. All this is done to the music of those two players that matches the drawings perfectly. Nothing else to say except for anyone who loves abstract animation, I highly recommend Ryan Larkin's Street Musique.
拔都带领蒙古鞑靼大军扫荡罗斯,基杰日城王公弗谢沃洛德的儿子尤里率兵出城,与侵略者展开殊死搏斗……本片绘图素材全部取自古罗斯的圣像画和教堂湿壁画。
改编自英国作家查尔斯·狄更斯的经典同名作品《圣诞颂歌》。一个痛恨圣诞节的老头通过几个圣诞鬼魂看到了他的过去和现在,在圣诞鬼魂的指引下,他懂得了圣诞节的真谛。他也意识到,自己的将来就把握在自己的手上,弃恶从善就要从改变自身的行为开始。
在捷克共和国库特纳荷拉——曾经布拉格之后唯一一个皇家城市,耸立着令人毛骨悚然却又闻名世界的大教堂——藏骨堂。1318年,黑死病席卷欧洲,深处灾区的捷克损失惨重,仅一年之间即有三万多人埋葬在当地。15世纪胡斯战争,数以万计无辜生灵惨遭荼毒,教堂和修道院在战争中或烧或拆,许多修道士逃往于此,将骨头挖出来,修建起这座世上最大的藏骨堂,它既是教堂,又是坟墓,超过七万具骨架组成了这座罕见的建筑奇迹。 死者伫立在教堂每一个角落,用黑洞洞的眼眶注视着来自世界各地的游客,你在看他,他也在看你,生与死的界限就此模糊…
故事发生在一个停靠着拖船的小码头。在这个晴朗明媚的日子里,米奇、唐老鸭、高菲三个小伙伴哼唱着快乐的小曲子,他们齐心协力,准备好好粉刷一下那艘已经有些老旧破败的拖船。米奇和高菲拉动绳索,将米奇吊到桅杆上方。米奇正准备粉刷桅杆,谁知油漆桶居然被旁边的大嘴鹈鹕给吞到肚子里,由此闹出了不小的笑话。 就在此时,船上电台发来求救指示,附近海域有一艘船发生海难,请求营救。得知消息后米奇连忙通知两个伙伴,大家连忙进入战备状态,谁知却是越忙越乱。老旧的设备和笨手笨脚的船员,让营救变得寸步难行……
Andy Panda attempts to find out if he can catch a woodpecker by putting salt on its tail.
Norman McLaren a dessiné à la plume, directement sur la pellicule, non seulement les images de ce film, mais aussi les sons. Ce procédé lui a donc permis de se passer de caméra et d'appareil d'enregistrement. Le titre est inscrit en plusieurs langues. (Titres multilingues ajoutés en 1949.) 【IMDB】 An experimental film of dots animated by being drawn directly on filmstock.