Зима. В лесу живут Лиса и Заяц. Первая живёт в «ледяной избушке», второй — в «лубяной». Лисья избушка красивее, но — вот беда! — по весне она тает, и Лиса решается на захват жилища Зайца. Используя преимущество в физической силе, она достигает этого без особого труда, и бездомный Заяц идёт «куда глаза глядят». На его пути встречается Волк, который, неожиданно проникнувшись бедственным положением Зайца, решает помочь ему выгнать захватчицу, но Лиса, используя словесные угрозы, прогоняет и его. Затем история повторяется при встрече Зайца с Медведем. Следующим ему пытается помочь Бык. И опять-таки безуспешно. Потом Зайцу встречается Петух, который также отправляется выгонять Лису-захватчицу. Используя свою саблю и храбрость, он выгоняет Лису, и остаётся жить вместе с Зайцем. 简介来自俄文维基百科。
Contents Cowboys (1991) Slim Pickin's "That's Nothin'" Murder! The Conformist Outrage! The History of the World (1994) The Invention of Writing The Discovery of Language The Ten Commandments (1994-1996) Thou Shalt Not Adore False Gods Thou Shalt Not Commit Blaphemy Remember to Keep Holy the Sabbath Day Honour thy Father and Mother Thou Shalt Not Kill Thou Shalt Not Commit Adultery Thou Shalt Not Steal Thou Shalt Not Bear False Witness Thou Shalt Not Covet thy Neighbours Goods Thou Shalt Not Covet thy Neighbours Wife Intolerance (2000-2001) Intolerance Intolerance II: The Invasion Other Works The Wind of Changes (1996) The Chain (1997) The Sexlife of a Chair (1998) The Sound of Music (1992)
It was a mix of photography and animation and it took up my whole vacation - sixteen hours a day. I analysed, through a film camera, a loop of thirty-six squarish black-and-white photographs representing a human being moving in a circle. What was the logic of my analysis? I decided to photograph the loop on film and repeat it thirty-six times. During every new repetition I divided the film window which I made in the shape of a square so that in every circle there was an increasing number of subdivisions; today I would say different resolutions. I put a white square of paper in the subdivisions where in the photograph there was a part of a figure; where there was not, I put a black square. I had to rearrange the white and black squares at least a hundred thousand times. On the lens I put a color filter, and then rotated it - but I don't want to bore you. What is most important about this is that not being aware of computer imaging - it was 1970, in Poland - I manufactured my own digitalê processing on film. Strange that I needed twenty-six years of work - including my work during all my next twenty five vacations - to come back to Kwadrat with full awareness and understanding of why.” - Zbig Rybczynski
A fantasy where children's building blocks and music effects do everything. Blocks represent the make-believe city and the two children who play in it. Blocks even act out the story when an angry dragon appears on the scene, while music scores the action. This is puppet theater reduced to its simplest form. 简介来自 IMDb
RAINDANCE plays directly on the mind through programmatic stimulation of the central nervous system. Individual frames of the film are imprinted on the retina of the eye in a rhythm, sequence, and intensity that corresponds to Alpha-Wave frequencies of the brain. Preserved by the Academy Film Archive in 2010.
Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery. There are perils: a boy falls, a lion roars. The lyric flights of hot-air balloons, flying machines, and dirigibles, and their accompanying music of the spheres, are sometimes interrupted by a jangling buzz. Circus images take over. Then, mechanical rhythms abound while a balloon-headed doll, perhaps alien, moves through a jungle scene. We end in a garden.
Osvaldo Cavandoli,1920年生于意大利的Maderno。不久举家搬到米兰。长大后,他在Alfa Romeo做了四年技术设计员。23岁时,他进入动画领域为Pagot studio工作。1950-1958期间,他作为一个独立木偶制片人和导演。在1969,他创作了使他文明全球的角色:La Linea。这个有趣的角色大量出现在广告中,并且后来成为独立影片。这些影片在超过40个国家上映,荣膺了很多奖项。1974年Cavandoli为这个角色制作了一个漫画版本。1997年La Linea正式出现在意大利电视上。
Production Co: National Film Board of Canada (NFB)
红小兵小刚告诉李国华:小玲等三个小姑娘在跳橡皮筋时唱坏儿歌,说什么读书没有用。李国华以为这是受了坏人的影响,就将此事汇报给了校外辅导员周大伯。 在周大伯和陈老师的帮助下,李国华等红小兵们通过调查研究,揭露了向青少年散布坏思想、破坏教育的黄一郎,批判了“读书无用论”,用毛泽东思想占领了校外阵地。
少年正在房间中玩模型玩具,一只映入房间的蝴蝶的剪影将他吸引,扭头看时,他被蝴蝶的美丽震住,抓起网兜跑下楼想把蝴蝶捉住。少年随着越飞越远的蝴蝶跑了许多地方,终在一片花丛中将它捕获放入玻璃瓶中,随后,他又捉了好几只美丽的蝴蝶。 少年躺在花丛中进入梦乡,他看到一只特别漂亮的蝴蝶,兴奋地抓起网兜去捕,谁想蝴蝶和网兜同时越变越大,跑不及的他反成了蝴蝶的网中之物……梦醒之后,少年意识到自己做了错事。
Executed with Disney-like animation by one of Soyuzmultfilm’s leading directors of films for children. “Plus Electrification” triumphs the USSR’s drive to bring lectricity to every town and village. It was a tenet of Vladimir Lenin that electrification plus oviet power [vlast] would lead to Communism. Electricity is shown dramatically uniting the economies of USSR and the Eastern bloc countries through production of consumer goods like Czech crystal and Hungarian buses.
A song sets the tone, followed by an animated collage in which Super 8-film, photographs, drawings, slides, detritus and fragments from musi c and popular culture are used and processed. A mobileand intense portrayal of a changing country, America, America was Åsa Sjöström’s exam film at Royal College of Art in London in 1972. (Filmform)
Just watched this on the National Film Board of Canada site where they have about 300 of their material presented for your enjoyment. Having previously viewed and commented on a couple of shorts associated with animator Ryan Larkin, I was excited when Street Musique was presented on the NFB site twice in both French and English title form (otherwise, it's the same film). Starting with black-and-white live-action of a fiddle player and a mandolin player performing on a downtown sidewalk, Larkin then does abstract line drawings on white that become images that are very hard to describe. He then does some watercolor (at least that's what I think it is) images that are likewise. All this is done to the music of those two players that matches the drawings perfectly. Nothing else to say except for anyone who loves abstract animation, I highly recommend Ryan Larkin's Street Musique.
The preschooler Mako and the rabbit Pico learn what to watch out for when walking on the road. The work combines animation and live action to help young children learn the rules of the road in a fun and easy-to-understand way.
《少先队员的小提琴》 是1971年苏联鲍里斯·斯捷潘采夫执导的一部动画电影。该片献给伟大的卫国战争,讲述了一位年轻少先队员的英勇事迹。
A piece of abstract cinema by John Whitney. A series squares follow a 3-dimensional track, each one with a slight delay after the other.
Production Co: National Film Board of Canada (NFB)
This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
拔都带领蒙古鞑靼大军扫荡罗斯,基杰日城王公弗谢沃洛德的儿子尤里率兵出城,与侵略者展开殊死搏斗……本片绘图素材全部取自古罗斯的圣像画和教堂湿壁画。
改编自英国作家查尔斯·狄更斯的经典同名作品《圣诞颂歌》。一个痛恨圣诞节的老头通过几个圣诞鬼魂看到了他的过去和现在,在圣诞鬼魂的指引下,他懂得了圣诞节的真谛。他也意识到,自己的将来就把握在自己的手上,弃恶从善就要从改变自身的行为开始。
The story “Alice in Wonderland” is used as a metaphor about the dangers of accidental drug use among children. Curious Alice’s trip to Wonderland is not through the rabbit hole, but rather through her home, where the medicine and kitchen cabinets hold substances of lure but danger. After ingesting one of these substances, Alice, now in the Wonderland of her mind, has an altered sense of reality. In her new psychedelic world, she is exposed to more and more drugs, which she may take based on her impaired judgment from the initial drug use.