在贾方复仇记结束后,阿拉丁现在住在皇宫里,并与美丽又勇敢的茉莉公主订婚。现在拉丁(Al)与茉莉一起去面对巫师、怪物、盗贼还有其他等等的冒险。并受到猴子搭档阿布、动画魔毯和行动快速的精灵的帮助,喜爱时髦又爱抱怨的贾方的宠物鹦鹉艾格,他现在是个反英雄。贾方本人并没有出现在本系列里,因为他在第2部电影里就死掉了。
The first season of Iron Man featured little more than a Masters of the Universe-style battle of "good against evil", as billionaire industrialist Tony Stark battled the evil forces of the world-conquering Mandarin as the armored superhero, Iron Man. In his evil endeavors to steal Stark's technology and Iron Man's armor, the Mandarin led a group of villains consisting of Dreadknight, Blizzard, Blacklash, Grey Gargoyle (when it comes to fighting Iron Man and his team, he has a tendency to accidentally turn his fellow villains to stone), Hypnotia (an exclusive villain whom Dreadknight and Blacklash were rivals for the affections of), Whirlwind, Living Laser, MODOK, Fin Fang Foom, and Justin Hammer. To combat these villains, Iron Man had the help of his own team (based on Force Works, a then-current comic book team which has since faded into obscurity), including Century, War Machine, Scarlet Witch, Hawkeye (replacing U.S. Agent from the comics) and Spider Woman. The season consisted mostly of single-episode open-and-shut-case adventures, with two two-part stories late towards the end. Unlike many other Marvel animated series, despite featuring over-the-top titles that paid homage to the early Stan Lee written Marvel comics of the 1960s (for example, "The Grim Reaper Wears a Teflon Coat", and "Rejoice, I am Ultimo, Thy Deliverer"), almost none of the episodes were adaptations of comic book stories, consisting instead of original stories penned by Ron Friedman, occasionally collaborated on by Stan Lee himself. The closest the season came to adapting a comic book tale was in the two-part "The Origin of Iron Man", which recounted a (modified and modernized) version of the character's comic book origin (see below) just before the season concluded. This late-run recounting of the title character's origin is symptomatic of what is generally thought of as the season's greatest weakness – despite (or perhaps because of) having such a large cast of characters, very few of the show's heroes and villains were actually developed in any way, leaving viewers unaware of their personal stories and powers. The show is generally held to have been at its best when filling in these origin blanks (MODOK in "Enemy Without, Enemy Within," Iron Man and the Mandarin in their self-titled "The Origin of..." episodes), but these were rare occasions, with virtually every other plot simply consisting of the Mandarin attempting to steal Stark's newest invention and being bested, often through very strange and illogical means (with the nadir perhaps being Iron Man somehow using the energy of a small tape-player to restore his armor to full power in "Silence My Companion, Death My Destination"). A small sub-plot in the first season revolves around Mandarin secretly spying on Force Works. It culminates in "The Wedding of Iron Man" when Stark realizes they have been spied on by reviewing events from previous episodes (and explaining how Mandarin's forces always knew where they would be), realizing that Mandarin has acquired enough information to potentially deduce the true identity of Iron Man. The entire episode's plot is dedicated to resolving the problem, culminating in Iron Man and his team setting up an elaborate deception where Mandarin sees Iron Man and Tony Stark in the same place with the intention being to convince him that the two men are not the same person (the 'Tony' in this situation was an android). In this first season the subtle keyboard's main theme is created by the legendary progressive rock artist Keith Emerson, most known today for his work on the supergroup Emerson, Lake & Palmer and for his soundtrack for Dario Argento's horror Inferno.
In an effort to raise money for education, The Fantastic Four tell Dick Clark the origin of their amazing powers, and their first confrontation with The Puppet Master, a villain who uses small clay replicas of people to take over their minds. In a running gag, the Thing tries various attempts to convince the audience to send in money for the charity.
In the post-apocalyptic medieval 27th century, Ramirez mentors young Quentin MacLeod who must seek pacified Immortals, gain their knowledge through a non-lethal form of Quickening, and free the land from the evil Immortal overlord Kortan.
Prince Lightstar leads the Legion of Light against Baron Dark - once a man, now an evil skeleton lord - and his army of skeletons. Dark's goal is to capture the Crystal that powers the world and Lightstar must stop him.
BattleTech is an animated television series based on the BattleTech fictional universe, produced for syndication by Saban Entertainment in 1994. The series ran for 13 episodes and focused on the character of Adam Steiner, a military officer in the distant future who struggles to liberate his home planet from an attacking human faction. The series was noteworthy for its blending of animation techniques, with computer animation used to depict most battle sequences and traditional animation used for most other scenes.
An eccentric school-teacher takes her class on wondrous educational field trips with the help of a magical school bus.
Swat Kats: The Radical Squadron was a short-lived cartoon show produced by Hanna-Barbera that first aired in September 1993. It revolved around the feline characters of Megakat City, and its two main characters were Jake Clawson and Chance Furlong, two pilots who were thrown out of the enforcers due to a mishap and forced to work as junkyard auto mechanics to repay the damages they caused. They decided they had to do more to make amends, and therefore, Jake Clawson designed the Turbokat and became the vigilantes known was the SWAT Kats. Jake, a.k.a Razor, was the weapons system officer and Chance, a.k.a T-bone, was the pilot. Together they protected Megakat City from many foes, such as Dark Kat, Dr. Viper, The Pastmaster, Mac and Molly, a.k.a. The Metallikats, and Hard Drive.
从鬼的尸体中诞生的少年,手持名为“鬼切丸”的日本刀。渴望成为人类的少年深信斩尽所有魔鬼后自己就会变成真正的人类,但由人类的悲、憎、怨等负面感情衍生的魔鬼岂能斩尽杀绝?追踪着世间漂浮的鬼气,少年继续着与魔无止境的战斗。
变成了万能精灵的贾方逃出神灯后,会如何向阿拉丁复仇呢?阿拉丁会遭遇到什么样的危险?茱莉公主和阿拉丁的真挚爱情,禁得起鹦鹉艾格及贾方恶意挑拨的考验吗?蓝色精灵要怎么帮助阿拉丁逃脱邪恶飞马的攻击,从火山熔岩中死里逃身呢? DisneyToon工作室制作,DTV(直接发行影音产品),长篇剧情动画片。由迪士尼第31部经典动画《阿拉丁》衍生剧情,系列第2部
一位独居的老妇人非常的想要一个女儿,她日夜许愿,终于感动了女巫。女巫给了老妇人一颗种子,叮嘱她一定要每日都给种子浇水,渐渐的,种子发芽了,开花了,小小的拇指姑娘(裘蒂·班森 Jodi Benson 配音)就出生于娇嫩的花蕊之中。 虽然老妇人每天都非常细心的照顾着拇指姑娘,但是拇指姑娘还是不免感到有些孤独,她渴望遇到一个和她一样大小的伙伴。一天,来自秀珍王国的柯尼斯王子(加里·英霍夫 Gary Imhoff 配音)出现在了拇指姑娘的面前,一见钟情的两人双双坠入了情网之中。王子答应拇指姑娘第二天早晨来接她,哪知道这段对话被蟾蜍太太偷听到了,蟾蜍太太希望拇指姑娘能够嫁给自己的儿子,于是趁着拇指姑娘睡着的时候绑架了她
Eric Duckman isn't your average suave, sophisticated private eye. In fact, he's rude, ignorant, slovenly, and hasn't had a date in years. With the help of his infinitely more capable sidekick, Cornfed Pig, Duckman manages to solve enough cases to cover his alimony payments and cable television bills.
《神偷卡门》(英文:Where on earth is Carmen Sandiego?)是1994年由美国迪克动画制作的一部40集的动画片。曾于中国大陆的《小神龙俱乐部》电视栏目播放过。本片曾获得格莱美最佳动画剧作奖。
This is one of the most elaborately edited of all the hand-painted films of late - a Haydenesque complexity of thematic variations on a totally visual (i.e., un-musical) theme. This film is composed of 35mm hand-painted images reduced to 16mm film, single-frames, shots of two, three, four frames and, occasionally, slightly longer shots, all interspersed with a variety of calculated lengths of black leader which cause a flickering of abstract patterns in rhythmed darkness.
Production Co: Second Frog Animation Group Color: Color Aspect Ratio: 1.33 : 1
The confrontation with death and finitude....Death animates the sense of the intimacy of life whose measureless flow is a danger to the stab ility of things. (RBE)
The history of empire. A British bulldog answers his mistress's call. He tacks down the Union Jack to cover the British Isles, then begins playing with a small ball that's the world. At first it's innocent play. The dog discovers tea in India; then, the dog shakes gold out of Africa. Gradually, innocence gives way to more and more ferocious play with the ball. We see terrorized women and children as the dog becomes an enslaving potentate. Harmless English archetypes benefit from colonial riches. Then the world begins to grow, and the dog changes too, from bulldog to effete lap dog.
这也许是一部令人抓狂的动画短片,吸引你看下去的是它的音乐。Bolero由莫里斯·拉威尔创作于1928年,他先写出-旋律,随后如法泡制了十三次,仅动配器。全曲是一个巨大的“渐强”,在小鼓无休止的三拍子节奏背景上,由各种乐器演奏的两个17小节的旋律不断反复。 在以压倒一切的力量奏出尾声以前,音乐突然滑进了E大调(旋律大调),造成了和单纯的手法全不相称的独特效果。
漆黑的泥土之中,一只小蚯蚓懵懵懂懂睁开了双眼。它奋力扭动着身躯,好奇地探索着周围的世界。它漫无目的四处爬行,突然间遇到另一只小蚯蚓,它们都被彼此吓了一跳。未过多久,两个小家伙相互熟捻起来,于是快乐地在泥土中挖起隧道,组成一幅幅精美绝伦的图画,它们甚至连笨重的巨石也征服了。不过,在接下来的旅途中,两只蚯蚓却发生分歧。最后它们按照各自所设想的方向前行,并分别来到的外面的世界。天空蔚蓝,草绿水清,四周鸟语花香,还有笨拙可爱的小蜗牛。然而危险无处不在,贪婪的大鸟盯上了正自顾自欣赏美景的小蚯蚓…… 本片荣获1994年渥太华国际动画片电影节最佳儿童片制作奖。