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  • 三分钟纸上世界历史

    三分钟纸上世界历史

    类型:暂无 上映:1980

    1980年奥斯卡最佳短篇动画提名。

  • 厄舍古厦的倒塌

    厄舍古厦的倒塌

    第1集 类型:暂无 上映:1980

      根据埃德加·爱伦坡同名的心理恐怖小说改编

  • 黑熊奇遇记

    黑熊奇遇记

    第1集 类型:暂无 上映:1980

    本美术片为木偶动画片。   游手好闲的熊家公子某日带着两个下人上街找寻美人,看到一个面容姣好的担柴姑娘后,熊公子很想把她得到手,可是上前以富贵荣华做诱饵时,姑娘一点也不为所动,径直赶起自己的路。熊公子慌忙去追,闹出不少笑话,不过姑娘的住处终被他找到。熊公子托媒婆去说亲,媒婆被姑娘赶出门外,软的不行来硬的,熊公子听从媒婆的诡计,将姑娘抢上花轿。半路上,一只大黑熊突然冒了出来,吓得熊公子一伙人立时作鸟兽散。黑熊饶有兴趣地来到花轿前,姑娘的生命危在旦夕,这时,猎人一箭射了过去,黑熊被激怒,向猎人发起进攻。聪明的猎人想办法将黑熊灌醉,又趁熊公子一伙人不注意,将黑熊和花轿里的姑娘调了个换。

  • 八百鞭子

    八百鞭子

    第1集 类型:暂无 上映:1980

    本美术片为剪纸片,根据任朴同名连环画改编。 小长工小亮被财主刘黑天用皮鞭打伤后,他用柴刀刻的小木鸟变成了神奇的小黄鸟,治愈了他的伤口。这一幕被刘黑天看到,他目瞪口呆的同时,想起皇上得了不能食饭的怪病,正张榜天下重赏寻找良医,不禁两眼放光。可是从小亮手里抢过神鸟后,神鸟并不听他的使唤,无奈,他好说歹说请小亮亲自出马,小亮想到这是个报仇的好机会,答应将领到的赏分财主一半。将皇上的病治愈前后,守门将军、宰相以及分管钱财的大臣都想从小亮手中分得一份赏金,小亮均一一答应,可是他们没想到,小亮要皇上赐给他的赏,是八百鞭子。 简介来自豆瓣(https://movie.douban.com/subject/2030743)

  • 陆地、海洋和天空

    陆地、海洋和天空

    第1集 类型:暂无 上映:1980

    画面自左向右,被均匀地分作三分。左边,一个长着阴茎脑袋的肥胖男子躺在床上,自顾自睡着大觉,全然不管外部世界的风云变幻;中间,一只小鸟在空中翱翔,经历着风和雨的洗礼,周遭世界沧海桑田,对它来说解决生计才是首要问题;右边,一艘轮船行驶在一望无际的大海之中,海平面时涨时落,诺亚的方舟与他们擦肩而过,动物们望着这艘不为所动的轮船,有如望着难得的西洋景,而船上的男女兀自过着既定的生活,平淡无奇。三个画面相互影响,相互制约,似乎平行又互有交集……   本片荣获1981年柏林国际电影节银熊奖最佳短片导演奖。

  • 乌尔姆的裁缝

    乌尔姆的裁缝

    第1集 类型:暂无 上映:1980

  • 丁丁战猴王

    丁丁战猴王

    HD中字 类型:暂无 上映:1980

    丁丁看孙悟空大闹天空的动画片正起劲时,关掉电视机来到书桌前认真做起作业来,猴王不满丁丁不将他的精彩表演看完,从电视机里跳出来欲问个究竟,丁丁解释说每天都会按时做功课。猴王不懂何为做功课,丁丁又解释做功课是为学知识,知识就是科学,并讲科学的力量巨大。   猴王一听不服,认为世间没有什么力量能大过他,说话间,他因棒打代表科学的“金钥匙”一个不小心进入一道化学工序的流程,幸亏丁丁及时出手,他才没被弄成肉酱。但猴王并没因此甘拜科学下风,丁丁为让他输得口服心服,带上“金钥匙”同他来到外面更为宽广的地方一比高低

  • 三个发明家

    三个发明家

    第1集 类型:暂无 上映:1980

           很久很久以前,在一幢华丽宏伟的大房子里,生活着三个发明家,他们是一家人,丈夫、妻子以及年幼的女儿都具有发明天赋,他们每天致力于创造出可以改善人们生活的机械。丈夫发明出随风而行的热气球,妻子创造出精巧实用的纺织机,女儿制造了各种各样可爱有趣的玩具。然而他们的发明不仅没有实现各自的价值,还遭到当地人的憎恨与猜忌。人们认为他们违背了神的意志,并将为此受到天谴。三个发明家不甘示弱,决定向这群愚昧的人们展现自己最伟大的发明……        “动画的世纪·100部作品”位列第76名。

  • 卡拉巴特

    卡拉巴特

    类型:暂无 上映:1980-10-23

    克拉巴特,一个乞丐男孩,被引诱成为一个邪恶的,独眼巫师的学徒。他和其他一些男孩一起在巫师的磨坊里工作,同时学习黑魔法。每年圣诞节,其中一个男孩都要在一场魔法决斗中面对主人,在那里男孩永远没有机会,因为主人是唯一被允许使用秘密咒语的人:Koraktor。

  • 希斯与利夫

    希斯与利夫

    第26集 类型:暂无 上映:1980-10-04

    每集半小时被拆成了两段。   前半段的主角是希斯。希斯是只家猫,聪明又能打架(狗都打不过它~),总是在食品店里抢吃的,野猫似的在街道上乱窜。   后半段的主角是利夫。利夫是只野猫,聪明的它是一个四人(猫)组的头头,还有个白白的女朋友。利夫和它的朋友们住在垃圾场的一部破轿车里(那部轿车能飞的),过着极其拟人化的生活,且颇有小资的感觉。貌似它的生活比希斯更像家猫一点。。

  • 猫和老鼠喜剧秀

    猫和老鼠喜剧秀

    第15集 类型:暂无 上映:1980-09-06

    This was the second made-for-television Tom and Jerry production. The series was notable in being the first attempt since the closing of the MGM studio in the 1950s to restore the original format of the cat and mouse team. After the original 114 theatrical shorts run of the William Hanna-Joseph Barbera directed series, the characters were leased to other animation studios who changed the designs, and eliminated all of the supporting characters. The previous made-for-TV Tom and Jerry Show for the ABC network in 1975 was produced by Hanna and Barbera under their own studio (with MGM), but had made the cat and mouse friends in most of the episodes, due to the reaction against violence in cartoons. The version by Filmation (Hanna-Barbera's leading competitor for TV animation at the time) was able to restore the familiar slapstick chase format, and reintroduced not only Tyke and Nibbles, but also some of the other MGM stars. Half hour shows would consist of two seven-minute Tom and Jerry episodes, plus one Droopy cartoon in the middle, featuring some other characters such as Barney Bear. Spike from Tom and Jerry was used in many of these Droopy episodes as well, filling in for the other "Spike" bulldog created by Tex Avery for the old Droopy films, who was not used as a separate character here. The villainous wolf from the classic series was also included, and named "Slick Wolf". Still missing was the "Red Hot Riding Hood" character, who would not reappear until the following made for TV series, Tom & Jerry Kids, in 1990. Characters not seen in this series of Tom and Jerry shorts are Mammy Two Shoes, Butch, Quacker, Topsy, Lightning and Toodles Galore. The show's opening begins with Tom chasing Jerry through a blank yellow screen. They continue chasing, as all of the other stars build a giant "Tom & Jerry" sign (similar to the second opening of Tom & Jerry Kids). The familiar rotating executive producer credit of Lou Scheimer and Norm Prescott briefly runs as Tom chases Jerry past the screen, knocking things over and running over others along the way. After the opening sequence, the wraparound segments, hosted by Droopy, would begin. He would start by painting the whole background with a single large brush stroke (making stylistic use of Filmation's characteristic "limited animation" technique), and he and the other speaking characters would engage in brief comedic sketches (like Droopy's opening poem in one of them "Roses are red, violets are blue, painting's my job, that's what I do; cute and somewhat wet"). In addition to the animation, the show was characterized by very limited music score; all of the episodes, both Tom & Jerry and Droopy, used the same stock, mostly created new for the series, but consisting of only a handful of largely synthesized tunes, either with minor variations or played at different speeds or pitches. This did match the chase scenes, but gave the episodes a very monotonous soundtrack, making these episodes "stand out" to many Tom & Jerry viewers when they aired. Where the original series and the third series by Chuck Jones would have favorable endings for Tom occasionally, this series followed the second series by Gene Deitch in never having definite "wins" for Tom. Also similar to the Deitch films is the character design, in them being drawn similar to the original, but still slightly different. The Droopy episodes would usually feature Slick and sometimes Spike being antagonists to Droopy. Barney had miscellaneous roles, such as being the boss of movie studio guard Droopy in "Star Crossed Wolf", and a frightful companion to Droopy in a haunted house in "Scared Bear". Frank Welker provided all the voices in the Tom and Jerry and Droopy segments for the first six episodes, therefore also voicing most of the female characters, which proves that he cannot do female voices very well. Despite that, there were some female characters voiced by Jay Scheimer, Erika Scheimer and Linda Gary. Filmation head Lou Scheimer provided Jerry's laugh, and provided the voice of Nibbles (erroneously giving him an adult voice). When the 1980 Screen Actors Guild strike occurred, Welker was unable to continue, so Scheimer had to fill in as voice actor instead, and recordings of Tom and Jerry's vocal effects provided by Welker from previous episodes were reused. The show itself was originally going to be called The Cat and Jam Comedy Show.

  • 王者无敌

    王者无敌

    第1集 类型:暂无 上映:1980-05-11

    《王者归来》是一部1980年上映的美国动画音乐奇幻电视电影,是《霍比特人》的续集。该片改编自J·R·R·托尔金1955年出版的小说《指环王》的第三部也是最后一部《王者归来》。托尔金原著的前两部——《指环王:护戒使者》和《指环王:双塔奇兵》——并未在本片中出现,仅在影片开头进行了简要概述。

  • 罗马数字系列1

    罗马数字系列1

    类型:暂无 上映:1979

  • 玛莎与魔法果酱

    玛莎与魔法果酱

    类型:暂无 上映:1979

    祖母做好了一罐果酱放在架子上的壁橱里准备等到冬天再吃。可玛莎等不及冬天了,她想尝尝果酱。当祖母去休息时,玛莎从壁橱里拿出罐子并打开它,她开始用一个大勺子吃果酱……

  • 远离练靶场

    远离练靶场

    类型:暂无 上映:1979

    Based on a play by V. Slatkin. An unemployed American gets a job in a shooting gallery as a live target; the greedy capitalist owner charges patrons double for the chance to hoot at a human being. Tarasov, a fan of J.D. Salinger’s “The Catcher in the Rye,” modeled the film’s hero on Holden Caulfield. An artist as well as an animation director, Tarasov combed through back issues of “America,” a magazine published by the U.S. government during the Cold War, and American comic books, to lovingly create the film’s fabulous New York City back drop. The attention to detail is amazing (and sometimes off base), from the graffiti on the buildings to the brand name on the back of the hero’s tennis shoes.

  • Ubu et la grande Gidouille

    Ubu et la grande Gidouille

    类型:暂无 上映:1979

    An extraordinary cut-out-and-move adaptation of all three of Jarry’s Ubu plays. The characters are caricatured almost to abstraction- in the opening scene Ma Ubu is even depicted as a bug, Pa Ubu has a massive jaw and a microcephalic brain case.

  • 变形1

    变形1

    第1集 类型:暂无 上映:1979

    Hand drawn animation of objects and people merging and morphing is superimposed on live footage taken from a moving train.

  • 梦幻玩偶

    梦幻玩偶

    第1集 类型:暂无 上映:1979

    Actually this film is not entirely original, it is a parody based on the great French short film "Le Ballon Rouge" (The Red Balloon - 1956). Saw this tonight as part of a short film program at a The Chauvel Cinema in Sydney. Dream Doll was Oscar nominated in the Animation category. If anyone ever reads these reviews, I would strongly recommend you source both the films to make your own comparison. My preference is still far and away with the Le Ballon Rouge - this won the Grand Prize at Cannes and the Academy Award for Best Short Film in 1957. A good film to accompany Dream Doll is another Bob Godfrey Oscar nominated animated short film: Kama Sutra Rides Again. This was also on the program tonight.

  • 奇怪的球赛

    奇怪的球赛

    第1集 类型:暂无 上映:1979

    在这个世界上有一个不太繁华却宁静祥和的城市乌托兰市,这里的人民爱好和平,彼此友爱。冰球似乎是乌托兰人民的最爱,街头巷尾经常能够看到人们扛着球杆的身影,甚至连圣母玛丽亚、爱神丘比特的雕像都入乡随俗扛起了球杆。这一天,一条令人振奋的消息传遍乌托兰市,世界闻名的萨耶萨耶王国皇家冰球队即将来该市访问,并与乌托兰市冰球队进行一场友谊赛。当地人民欢欣鼓舞,倍为期待,对来自远方的客人给予极大的尊重和礼遇。而另一方,表情严肃傲慢的胡可道将军带领萨耶萨耶王国皇家冰球队抵达乌托兰。   盛大的欢迎仪式过后,精彩的比赛拉开序幕,但是比赛场上奇怪的现象相继发生……

  • 打猎

    打猎

    类型:暂无 上映:1979

    熙来相往的都市街头,男孩似不属于这个世界一般,静静地盯着橱窗内一张画有梅花鹿的画像。后来,他走进店里,知晓这是一家售卖猎枪的店,店主正热情地为一位客人介绍一款猎枪。男孩将店里陈设一一看过,目光落在一副画上:一棵光秃秃的大树下,猎人手握猎枪脚踩被他击毙的雄狮,冲着镜头得意地笑。   男孩呆住了。想象中,男孩背着猎枪走进森林,遇见各种各样的动物,它们都在各自的世界里自由自在地生活着,男孩被眼睛所见的种种打动,嘴角洋溢快乐的笑容。突然,他呆住了,一棵光秃秃的大树下,一个猎人正用猎枪对准一头茫然不知的雄狮。男孩举起了手中的猎枪。        影片中使用了巴赫的音乐。

  • 女孩与海豚

    女孩与海豚

    第1集 类型:暂无 上映:1979

    Поэтический этюд о дружбе девочки и дельфина 关于女孩和海豚间的友谊的诗意研究

  • 太阳石

    太阳石

    类型:暂无 上映:1979

    由录像艺术家艾德·艾姆许维勒导演的历史第一部数字计算机动画录像作品。

  • Sun Song

    Sun Song

    类型:暂无 上映:1979

    A short silent film by Joseph Bernard.

  • 反射弧

    反射弧

    第1集 类型:暂无 上映:1979

    从一只昆虫挣扎著竭尽全力地要破蛹而出开始,然而刚一挣脱蛹壳的束缚,就捲入了一场与另一只昆虫的生存战斗中。而两只小虫扭打在一起的时候,戏剧性的结尾產生了——在路旁的积水水面上映出了一个男人依稀的轮廓。所有的争斗与矛盾突然之间结束于这个男人坚硬的鞋底。於是,在留下鞋印的道路 上,同时也留下了两只小虫被碾碎的尸体,这时镜头嘎然而止。片尾字幕出现的同时,我想,出现在观众心里的应该还有一丝丝萧瑟与苍凉。Kucia将我们带进了这个特殊的微观世界中,再一次地让我们感受到了他的梦幻与诗意,当然还有充满无奈的残酷现实。

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