此片为苏联版本仿制的小熊维尼动画短片第一部。讲述了屹耳把自己的尾巴弄丢了,罗宾提议谁先帮屹耳找到了尾巴的代替品,谁将赢得一罐新鲜的蜂蜜的故事。
船开动前几分钟,港口一派热闹的登船送别景象,芭蕾女伶在人群中急匆匆地穿行,还是没能赶上开船的脚步,只见她一跃腾空,优雅地落在船尖。 芭蕾女伶从房间来到甲板,边看书边练习芭蕾动作,引起了好几位导航员好奇的的模仿,他们甚至忘了自己手头的工作,随着芭蕾女伶的动作越来越复杂优美,聚焦在她身上的目光也越来越多,众人都不自觉地模仿她的动作,给船的按部就班航行带来了阻挠。芭蕾女伶意识到这点时,优雅地欠身表示歉意,退回自己的房间。晚上,狂风大作,船眼看要被大浪打翻,这时,芭蕾女伶再次优雅现身,用自己的聪明挽救了一船人的性命。
根据Edgar Allan Poe的小说改编。瘟疫满世界肆虐着,但城堡中的Prospero伯爵和他堕落的朝臣却继续纵情狂欢。于是瘟疫就以一种神秘的方式实施了它的罪恶。 原著的哥特气必得萨格勒布学派的阴森气来调和,才是映像化的最佳一途。红色的死神可以变化成各样人物,现在要去派对上取王的性命——一如忧愁昏暗的皇宫,小丑的弹琴,死界慑人魂魄的魅力,王终究为美色所害,而死神却还在冥冥之中,为人间界做成一桩传奇。
小鹿班比愉快地吃草,然后被哥斯拉一脚踩扁的故事。
A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...
老旧荒芜的宫殿内,伴随着欢快的音乐响起,灯火通明的华丽舞台上,经典戏剧以木偶剧的形式拉开序幕。唐·菲利普单膝下跪,向美丽姑娘唐娜·玛丽亚表达爱意。然而玛丽亚却即将按照父亲的指示,嫁给唐的哥哥——放荡不羁、浪荡成性的唐璜。唐璜知晓弟弟和未婚妻的密会约定,愤怒不已,于是命令弄臣前去寻找他的父亲,希望假托生病榨取大笔钱财实施他的计划。唐璜的父亲憎恨这个忘恩负义的儿子,于是给了弄臣两枚硬币作为羞辱。恼羞成怒的唐璜做出忤逆人道的滔天恶行,更决意破坏弟弟和玛丽亚的幽会…… 本片根据拜伦的经典长篇诗体小说改编。
本剧的主角是一只贪婪狡猾的大灰狼(阿纳托利·帕潘诺夫 Anatoli Papanov 配音)和一只聪明伶俐的小兔子(克拉拉·鲁米扬诺娃 Klara Rumyanova 配音)。大灰狼一心想要吃掉小兔子,但是聪明的小兔子总是能巧妙地化险为夷。每集都是一个新的故事,大灰狼与小兔子斗智斗勇、互相捉弄,剧情结构类似于华纳的动画片《猫和老鼠》。 本剧首播于1969年,片名“兔子,等着瞧!”是来自于大灰狼每次失败都会说的台词。
动画师雷恩·拉金(Ryan Larkin)用作为一名艺术家的感性描绘了不同人的行走方式:有步调轻盈的少年,有穿高登鞋行走的女子,有老态龙钟的老人等,都表现得淋漓尽致。他采用多种形式进行创作: 有线稿素描和水彩描绘,带些迷幻的色彩运用,犹如动画中的印象派,用流动的线条创造 出一个全新的幻影世界。雷恩·拉金用他的作品影响了整整一代人。
《丁丁和太阳神庙》 / 《七个水晶球与太阳的囚徒》 (1969,Belvision,由比利时、法国、瑞士联合出品)是一部以《七个水晶球》和《太阳的囚徒》为蓝本的电影(合并为《丁丁和太阳神庙》)。 此电影吸引了极大的公众注意。《丁丁和太阳神庙》是《丁丁历险记》系列中首部动画电影,第二部为《丁丁在鲨鱼湖》。 书中许多情节在电影中被删去。《七个水晶球》全书更是被压缩到仅有十五分钟的电影时间。发生的事件有所改动,并增加了一些元素。例如,电影中新增了伟大印加的女儿(the Great Inca's Daughter)这一角色,她请求父亲释放囚徒,而且对歌喉变得极佳的索尼诺有好感。至于杜邦兄弟也有加入丁丁一等行列,并一起险些被活活烧死。
它是一只红色鸟儿(Richard Bakalyan 配音),自由自在飞在蔚蓝青空之上,哼着小调的它没留神遭到猎枪攻击。这个倒霉的家伙似乎习以为常,它为观众放上唱片,伴随着轻快的曲调,讲述了作为一只鸟是一件多么不容易的事。比如在天空中首先会遭到猎枪袭击,落到地面后还面临着各种各样的诛杀。之后它又讲述了生物的进化史以及鸟类的分支发展的过程,而与人类之间的纷争自然不可忽略。它展示了鸟类在人类历史上所起的作用以及对人类文化的影响。有趣的故事,发人深省的意义…… 本片荣获第42届奥斯卡金像奖最佳动画短片奖。
This article is about the American filmmaker. For the American publisher and writer, see Larry N.Jordan. Larry Jordan is an independen t filmmaker who has been working in the Bay Area in California since 1955, and making films since 1952. He has produced some 40 experimental and animation films, and three feature-length dramatic films. He is most widely known for his animated collage films. In 1970 he received a Guggenheim Fellowship to make Sacred Art of Tibet. His animation has shown by invitation at the Cannes Film Festival. Jordan is one of the founding directors of Canyon Cinema Cooperative. He has shown films and lectured throughout the country. He is presently chairman of the film department at the San Francisco Art Institute.
When i was a kid i remember them showing this every Halloween on wnew TV channel 5.i thought it was cool to see all the monsters together in one movie,it was made by Rankin bass,the same people who gave us Rudolph the red nosed reindeer(68)and doing the voice for baron Von Frankenstein was none other then the great Boris Karloff.who was also great at doing voice overs for kids movies like the Grinch that stole Christmas and the daydreamer a movie about Hans Christian Anderson.anyway Dr Frankenstein has a bog retirement party to name his successor to take his place as leader of the monsters.he has one nephew who is a mere...,human who he invites to the shindig.the monsters aren't very thrilled about that.heres the lineup; Frankensteins monster,his mate(voiced by Phyllis diller)Dracula,the werewolf,the mummy,the creature,the hunchback,Dr Jekyll and Mr Hyde,invisible man,and it (a king Kong lookalike)its a wild monster party with a singing group of skeletons modeled after the Beatles,well remember this is 1968.its a marvel of animation done way before any computer graphics were even thought of.this has always been an ageless personal favorite.even Tim Burton was inspired by mad monster party when he did nightmare before Christmas.10 out of 10 check it out,its a good Halloween party movie.
“Mouris’s film, YOU’RE NOT REAL PRETTY BUT YOU’RE MINE…, built upon the strongest elements of QUICK DREAM, and added a pop music soundtrack. Mouris says, “I shot another 100 foot roll on classmate Jerry Strawbridge’s home animation stand, and edited that into the best sequences from QUICK DREAM. The whole film was a tongue-in-cheek series of odd couples/couplings, which the title suggested. The FRANK FILM photo collage animation evolved here.” - Yale
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.
Theatrical Cartoon Studio Se-Ma-For Directed By Daniel Szczechura. Written By Daniel Szczechura. Awards: Grand Prize, Daniel Szczechura, Oberhausen International Short Film Festival, 1968. Originally Released in 1968 (Estimate). Originally Released Theatrically. Color Poland BCDB Rating: "Hobby" has not yet received enough votes to be rated.
19分钟的动画影片,哈扎诺夫斯基与作曲家施尼特凯合作的头一批成果。没有对白,全部靠画面和音乐来推动情节。 动画片的主题异常严肃大胆,艺术家的自由表达遭到禁止,然而冲破束缚的艺术家给了大众新的梦幻,并给了他们更广阔的视野。
小美人鱼爱上了人类王子,为了和王子结婚,小美人鱼找到了生活在海底的海女巫。海女巫答应给小美人一双人类的腿,但作为交换,小美人鱼必须交出她的舌头。不仅如此,如果小美人鱼最终没能够和王子结婚的话,那么她将死去变为泡沫。 即便条件是如此的苛刻,小美人鱼还是义无反顾的喝下了药水。当她抵达王宫时震惊的发现,王子即将迎娶一个人类女孩。王子误以为这个人类女孩在海难中救了他的命,可实际上救了王子的是小美人鱼。因为不能说话,所以小美人鱼无法澄清这一误会,就在黎明快要来临时,小美人鱼的姐姐们出现了,她们告诉小美人鱼,想要活下来只有一个方法,那就是杀了王子。
大风呼啸不止的寒冷冬夜,衣不蔽体的老奶奶正奋力赶路,突然,一个会发光的毛线球滚到她脚下,老奶奶将它捡起,可是因为毛线实在太少,又将它放下准备继续赶路。这时,毛线球变身成为一只毛线小羊,老奶奶惊喜地发现,这只小羊是取之不尽的宝库,她用它不仅编织出取暖用的衣物,还编织出温暖的房间和各种日常用品。 老奶奶生活条件的突变引起穷苦邻居的好奇,他们纷纷来到她的门前一窥究竟,老奶奶将小羊藏好,邀请他们进屋,并秘密地继续编织出各种高档用品。优美欢快的音乐声中,穷困的人们相拥起舞,老奶奶瞥见自己皱纹纵横的脸,想着编织出一张年轻的容颜,她不知道的是,躲在暗处的小羊此时已精疲力竭。 面向成年观众。本片基于Ovsey Driz的童话故事改编。
歌唱家来到练歌房准备练声,见里面矗立着一头巨大的怪兽,吓了一大跳,但他仍走到钢琴前坐下,开始弹奏起钢琴来,这时,怪兽发出不和谐的怪叫,歌唱家回头盯视,怪兽停止发声。 歌唱家以为可以好好地练习歌喉了,哪知他刚开口歌唱,怪兽就又发出更难让人忍受的怪声。无奈,歌唱家开始和怪兽抗争,但终苦苦哀求它手下留情。怪兽并不领情,相反一口将歌唱家吞噬。再张口发出动人的歌声时,怪兽满意地离开了练歌房。 面向成年观众。
Yuri Norstein为十月革命六十周年制作的短片。片中使用了革命时期(1910-1920)的俄罗斯和欧洲先锋派绘画。