宁静的一天,弗兰克造访久违谋面的老友约瑟夫。约瑟夫驾驶汽车,兴奋异常,滔滔不绝。未过多久,汽车停到约瑟夫家的附近。令弗兰克这个初来乍到客人感到惊奇的是,好友家的篱笆竟然是由一个个活生生的人组成的。他们有男有女、有老有少,看起来来自社会不同阶层。每个人都静默不语,仿佛没有生命一般,但是令人不易察觉的小动作仍旧提示着弗兰克他们都是活生生存在的人。如同生活在金字塔最顶端的约瑟夫,一门心思饲养他的纯种兔子,毫无顾虑斥责不够尽职的“篱笆”。 在这个诡异的地方待得越久,弗兰克心中的疑问便越来越多……
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Various objects are having a sunny outing together in the nature.
“动画的世纪·100部作品”的第32名。
The Sun and the Moon is stolen by a vicious creature. Can the humans get back, what they need for their life?
Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?
埃及女王克利奥帕特拉和凯撒大帝打赌,将在3个月内建造一座宏伟的宫殿。克利奥帕特拉把这项任务交给了建筑师爱狄费斯,并下令如果在规定时间内没能完成任务,他将被投进鳄鱼池。 在这么短的时间内建造一座宫殿根本就是不可能完成的任务,但有一个人可以帮助爱狄费斯,那就是魔法师凯塔福克斯。于是爱狄费斯来到高卢的村庄,请求魔法师的帮助。凯塔福克斯欣然前往,同他一起来的还有阿斯特里克斯和奥普利克斯。 在建筑工地,爱狄费斯给每个建筑工人喝下了他发明的神奇药水,工人们一下子力大无比,工程进展很快。这一切被爱狄费斯的死对头――建筑师阿尔提菲斯发现,他很想至爱狄费斯于死地,这样他就是全埃及最出色的建筑师了。于是阿尔提菲斯派手下摧毁了石料。为了不延误工期,凯塔福克斯决定去下游购买石料。 阿尔提菲斯收买海盗,想在石料运送途中给凯塔福克斯的船只以打击,但阿尔提菲斯太小看阿斯特里克斯和奥普利克斯了,海盗们被这两个高卢勇士追打得落慌而逃。但阿尔提菲斯仍不死心,派手下将凯塔福克斯三人引入金字塔,试图使他们被困其中。这一次阿尔提菲斯的如意算盘又落了空,因为没有什么可以挡住阿斯特里克斯和奥普利克斯。 恶毒的阿尔提菲斯制作了毒蛋糕并以高卢勇士的名义送给了女王,导致女王的品尝官中毒。女王将三个高卢人逮捕,但凯塔福克斯用药水救活了品尝官。女王非旦怪罪他们,反而对高卢人很感兴趣。 宫殿马上就要建成了,凯撒得知了这个消息,便派军队攻击想暗地摧毁,因为如果宫殿真的建成,他将成为这场赌局的输家,臣服于埃及女王克利奥帕特拉。但同时凯撒又很期待,那样的话他就可以和女王在里面幽会了。最终凯撒还是决定出兵,他要为自己挽回一些面子。 凯撒的军队异常强大,但对于高卢勇士来说,这些都算不了什么,打仗就像是在做游戏。可是凯撒的大炮却轰塌了宫殿的一些建筑,无奈下阿斯特里克斯只得带着自己的小狗冲出包围向克利奥帕特拉送信。女王亲临现场,阻止了凯撒的攻击。同时爱狄费斯得到了女王的奖赏,他成为了埃及最出色的建筑师。 精彩视点: 本片是一部法国出品的动画片,根据著名卡通《阿斯特里克斯和奥普利克斯》改编。这是法国最成功的长片漫画之一,有近50年的历史,讲述了法国人的祖先高卢人的故事。该漫画被译成77种语言,在1989年巴黎更是建造了“阿斯特里克斯乐园”,可见其在法国人心中的地位。 “高卢勇士”后被改编成电影,包括《埃及艳后的任务》、《勇士斗凯撒》等。影片由法国著名演员热拉尔·德帕迪约和克里斯蒂安·克拉维耶担任主演,曾创造极高票房。而本片则拍摄于1968年,色彩艳丽,编导想象力极为丰富且整部影片笑料百出,是一部经典的动画巨著。
Meek Peter Parker is bitten by a radioactive spider and acquires super-powers. He decides to use his new powers to get rich, but when tragedy strikes close to home, he learns a valuable lesson and vows to fight crime instead.
两个手控木偶为了现实世界的一只荷兰猪吵了起来,随后开始殴斗。几十年来,捷克导演Jan Svankmajer以他超现实的梦幻般的动画创作令世界着迷。Svankmajer的奇妙之处在于他通过物体的动作姿态、个性和对文化的深刻观察将普通的人和物奇异化。他的作品对无数导演来说是一个灯塔,处处给予艺术家以灵感,并且毫无疑问是在共产主义的捷克斯洛伐克的专制环境下浮现出的重要艺术品。尽管这些作品都是超现实主义的,但Svankmajer以电影为手段探索了社会习俗、社会阶层及其相互作用等问题。
人的一生,快乐总是非常有时,不过几个阶段,大部分的时间段,生活就像罐头一样被固定了模式。 细数快乐的阶段,人在做孩童时拥有幻梦是之一,然而孩童是不可能长久地停留在幻梦中的,家长的声音压迫着让他只能在学校和家之间两点一线往返。青年时期,恋爱是快乐的,但到了谈婚论嫁时,模式便会不请自来。孩子的诞生也是快乐的,但无趣的生活不会因此变得有趣,人往往会用婚外情妄图将这无趣填补,却往往为了孩子又过两点一线的生活。
In half a minute, a person who braked at a traffic light has time to look at the screen of a special roadside demonstration device-a movie comic-a “lightweight” version of the creation of the great classic Shakespeare based on the tragedy “Othello”. A parable about how modern civilization devalues world culture.
著名“疯子”导演拉斯·冯·提尔在11岁时8mm摄像机自制的2分钟定格动画短片。
Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye
For centuries, the Murgatroyd family, the Baronets of Ruddigore, have been under a witch’s curse — commit a crime every day, or die in agony. Sir Ruthven Murgatroyd, the rightful heir, has run away to live as innocent peasant Robin Oakapple in the Cornish village of Rederring, sticking his brother Despard with the curse. But on the very day that “Robin” is to marry sweet, beautiful Rose Maybud, it all falls apart. Can Sir Ruthven outwit a picture gallery full of his ancestors’ ghosts to save the day?
著名实验导演斯坦·布拉哈格(Stan Brakhage)花了一年时间拍摄后进行胶片直接作画的短片,也是他作品中最短的一部,只有九秒,试图复制眼睛一瞬间所捕捉到事物的神秘感。
Short animated cartoon about a lonely little fellow who walks down a road and keeps picking flowers, which out of the blue turn up in ever larger numbers. Driven by desires that grow in intensity as the bouquet expands, in the realm of dreams he meets three women who literally outgrow him. When finally, with a final effort, he picks the only flower left, the little lad collapses under the burden of his craving.
导演点评:在这部作品中我想贯彻完全自由自在的风格,因此通过各类变形让剧情迅速地展开。本片在威尼斯电影节获奖的时候我本人没办法过去,结果就请我家的稀客坂本sumiko女士当时的丈夫栗原玲二君带我去领奖了。因为我原本就姓栗原,这不是正合适嘛。
该动画片刻意模仿苏维埃间谍片风格,可是其中的紧张与刺激,更像一个笑话。 高官在电视上看到敌国有高级换牙设备,可怜起自己受难的牙齿,立刻召来下属,布置下要把该设备偷偷弄来的任务,听命的下属二话不说找来正各行其事的三个能干的特工。敌国听闻风声,自然也不甘落后,同样布下天罗地网。于是,一场间谍战与反间谍战自此开始,敌我两方几乎不分职业不论长幼全民皆间谍(连猫也变得异常警惕),开始了上天入地的明暗争斗。——一切招数用尽,到头来不过是个巨大讽刺。 模仿一些苏联侦探电影。外国侦探负责人通过间谍的方式,试图接收一个新的苏联牙科手术扶手椅。苏联侦察兵打破了这些计划。
许多亿年前,恐龙与其它动物和平友好地在地球上生活。像许多动物一样,它们延续物种的方式是雌雄结合生子,通常,母恐龙产下蛋宝宝后,会把它放在离太阳最近的山顶,太阳的热量能使这些恐龙蛋孵化出一个个小恐龙。 后来,地球的环境越变越糟糕,气温逐渐降低,当恐龙蛋再被放到山顶时,太阳已经不再能给它们孵化出小恐龙的热量。再后来,恐龙这种动物从地球上消失不见。 这是一个有关成长的寓言。恐龙因为过分呵护自己的孩子而灭绝:小恐龙们不能独自解决生活中的困难,最终使得整个恐龙族群毁灭。
Walerian Borowczyk唯一的一部动画长片,原长80分钟,之后出了个几分钟的concert精简版。 This is perhaps one of the funnies, yet most bizarre movies I have ever seen. I am in awe. Heavily surreal. Every scene has so much creative power and craziness you just can't avoid being fascinated by it. There's a story too of course, but I'm not sure I'd dare to try and explain it.. It was all so confusing. Well, there's Mrs. Kabal.. a funny old lady which seems to think she's something important(like the old lady in Sunset Blv. or something..) And there's butterflies, and Mr. Kabal, and a huge house.. and these strangelooking creatures.. and so much details. Its so funny. At one point Mr. Kabal tries to puncture a hole in Mrs. Kabals huge chest, and instead of it shrinking.. the whole woman grows into a giant! And then Mr. Kabal finds the hole in her stomach and comes into this huge building inside her with stairs, windows and stuff.. And then Mrs. Kabal was shouting at him to do tasks in there. It was all pretty weird to follow. But there was a story going on. See this if you get the chance!
A short continuously looping animation of six grotesque human figures vomiting.
The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".