在很久很久以前的中世纪,一座城堡中住着国王和他的子民。但是这个国家的人民并不安康,因为在城堡附近的山上,住着会喷火的可怕恶龙,它时刻威胁着王国和人民的生命。为了消灭恶龙,国王发出英雄榜,只要有人能够降服恶龙,那么就可以娶国王美丽的女儿为妻。所谓重赏之下必有勇夫,骑士布恰罗特和德鲁帕洛特勇敢承担起讨伐恶龙的重任。在这一路上,狡猾的布恰罗特想尽各种办法阻止德鲁帕洛特的攻势,可是他的战斗力又完全不是恶龙的对手。与此同时,德鲁帕洛特找尽一切机会攻击恶龙,怎奈他的战斗力又太过低下,恶龙完全不将其放在眼里……
東映動画(現・東映アニメーション)が、ごく初期に制作したファンタジーアニメ。 夢の世界を支配する不思議な人物・夢見童子。彼が木下で昼寝をしながら夢を見ていると、子供たちがやってきてそれぞれ好き勝手な夢を見たい、と願う。だが童子は、欲深い子供たちの望む夢をそのまま見させてやる気はなかった。そんな中、一人の少女が童子に、お腹が空きませんか、と貴重な卵を持ってきた。少女の無欲な優しさに感心した童子は、この女の子の願う夢を見させてやろうと思う。 大勝末期から昭和初期にかけて、挿し絵画家として活躍した蕗谷虹児。そんな彼を構成、演出、作画スタッフに迎えて制作した作品。題材となる伝承は本来は江戸時代のものだが、アニメでは天平時代の出来事に脚色された。
As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....
The first puppet kinescope in the world. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jirí Trnka's work and a milestone in the history of the world animation.
兩隻被困在塑膠袋裡渴望重獲自由的金魚,一個失去生活目標的年輕水族店店主,兩者皆被困在這座城市裡,隨著一場風雨來襲,不知何時破碎的靈魂,是否能重新找回?
Donald's goes on an adventure in which it is explained how mathematics can be useful in real life. Through this journey it is shown how numbers are more than graphs and charts, they are geometry, music and magical living things. Donald in Mathmagic Land is a 1959 American live-action animated featurette produced by Walt Disney Productions and featuring Donald Duck. The short was directed by Hamilton Luske (with Wolfgang Reitherman, Les Clark, and Joshua Meador as sequence directors) and was released on June 26, 1959. It was nominated for an Academy Award for Best Documentary (Short Subject) at the 32nd Academy Awards, and became a widely viewed educational film in American schools of the 1960s and beyond.
夜幕笼罩下的露天舞台,一场盛大的音乐会即将举行。担任首席指挥的兔八哥(梅尔·布兰科 Mel Blanc 配音)矜持地站在舞台中央,他优雅地对着台下鞠躬,观众们则报以热烈的掌声。这时,台下有人发出一连串剧烈痛苦的咳嗽声,兔八哥不动声色,示意工作人员将这个不甚礼貌的家伙扔出去。他翻看曲谱,正是弗兰兹·冯·苏佩(Franz von Suppé)创作的、技巧要求极高的《维也纳的早中晚》。兔八哥显然有些惊慌,担心驾驭不了,不过对于这个经历过大场面的指挥家来说,什么样的高难曲目也难不倒他。 在他的指挥下,乐队开始演奏,只不过在此期间难免发生意外状况……
An animated film whose storyline was created by patients in a French mental health clinic. A dentist steals the teeth of poorer patients for rich clientèle until a monkey magician elicits revenge.
本片将电视影像糅合进动画里,讲述了一个老实本分的普通人成为罪犯的过程。 精神萎靡的Vasily Vasilievitch打死两个喋喋不休的妇人,招来邻居围观,他们都不相信他会杀人。警察赶过来,讲了昨天发生的事:Vasily Vasilievitch一如往常上下班回到家,坐在阳台读报时,楼下四个赌博的男人发出巨大的噪音,不过他仅当这为生活中不协调的奏曲;看一部电影时,不知多少层的楼上传来极吵的电视机播放拳击比赛的声音,忍受不了的他上楼有礼貌地和人交涉,无果;再然后,调好闹钟上床休息时,各种奇怪的声音接踵而至,他终变得对些微风吹草动都异常敏感;而好不容易入睡后,一声厉响传入他的耳朵。
电子技术深入到人类生活方方面面的未来,人类表达情感的方式机械冷漠,温情和幸福指数也接近于零。 女孩的监护人和女孩一起“听”过女孩父亲高度概括化的来“信”,送女孩上路,路上,两人玩玩闹闹有说有笑,并互相拍照留念。监护人把女孩带到一座到处是闪烁的电子屏和冰冷建筑的巨大工厂,按“信”上的说明,为她拿到一个卡号,随后,女孩在系统程序的安排下上路。女孩进入房间号与她的卡号一样的房间,开始好奇、害怕地打量周围一切,一个声音传来,说“她”是女孩的奶奶,女孩回头,眼见一个长着电子头脑的“怪物”,在和“怪物”的接触中,女孩觉得这个陌生的世界越来越恐怖,她对着监护人的照片,流下眼泪。
某户人家的女主人外出,放下了手中的针线活。不甘寂寞的针头线脑们纷纷跳出针线盒,做起了游戏。蓝色和粉色的毛线分别变成男女两个小人,蓝人把针当作长笛吹奏起美妙的音乐,粉人则随着乐曲载歌载舞。长长的皮尺见此情景也化身长蛇赶来助兴。但是皮尺突然狂性大发,虏走了粉人。蓝人骑上线包化身的骏马,冲上前与长蛇展开搏斗。 经过一番艰苦卓绝的斗争,蓝人终于降伏长蛇,救出了被困的小美人。他们又重新开始了精彩的表演…… 简介来自 豆瓣(https://movie.douban.com/subject/1459453/)
This Academy Award®-nominated short consists of three animated segments (by three different directors) that take a playful look at Christmas: a rendition of "Jingle Bells" in which paper cut-out figures dance, a dime-store rodeo of tin toys and a story of decorating the perfect Christmas tree.
To the sound of trumpets, a collection of pulverised antique bric-a-brac begins to reassemble itself, revealing a stuffed owl, a cornet, a hamper, books, a doll, a plate - and a bomb... —Michael Brooke
连尼卡有动画鬼才之称,他的作品充满黑色调,常令人发恶梦的场景。《迷宫》是他的第一部代表作,一个长着翅膀的人,在一个陌生的城市降落,诡异的城市怪兽横行,诡异的事物随后一个接一个发生了……这是一个长着翅膀的孤独男子自我意识上的卡夫卡事的故事。影片怪异、荒诞,却毫不夸张地表现了被极权主义规则残害吞噬的景象。 导演试图建立一个新的实验电影,凝聚当代艺术抽象拼贴画,暗喻和超现实主义,粗糙简单的材料在这些电影传达同时威胁一个荒谬的无序的宇宙。这个作品被认为是动画电影史上反映政治题材最出色的作品之一。
テレビシリーズ『鉄腕アトム』のなかから、第46話「ロボット宇宙艇の巻」、第56話「地球防衛隊の巻」、第71話「地球最後の日の巻」の3本を選び、そこに第1、2、3話の一部のシーンを加えて再構成した劇場映画。
子どもたちに大人気の児童書シリーズ「かいけつゾロリ」がプラネタリウムに登場!宇宙を舞台に大冒険!?アーサー王子がお宝を探す旅にでることを聞きつけたゾロリたちは、おうごんに輝く星を目指しますが・・・!?「おうごんの星をさがせ編」「ちきゅうをめざせ編」の連結バージョンとなっております。
Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.
The humour and irony-laden art criticism of György Kovásznai’s previous films is further developed in this short. Each of the three episodes acquired a different visual presentation. The first episode makes fun of the cinema (and its overstimulating effect), the second of the theatre (and its hypocrisy) and the third of the classical music (and its snobbism).
本片用拼贴的手法将现实中的照片糅合在动画里,形成鲜明独特的视觉风格。 男人一生都生活在自己订制的框架里。无忧无虑的青少年时代结束后,他像大多数人一样,踏上社会进入机遇与危机并存的职场,在某一个对他人来说倒霉透顶的场合被老板赏识,事业平步青云,遇到看上眼的女人,开始用金钱维持爱情和婚姻,逐渐变得两耳不闻“框”外事。这一过程中,加在他身上的框架变得日益复杂庞大,修饰的纹路也越来越多,他也越来越陶醉于呆在其中。
Kozyavin是一名普普通通的公司小职员,每日本本分分按部就班地做着自己该做的事。 一天,他准时下班时被老板叫住,老板要他去找一个名叫Sidorov的出纳员,他开始逢人就问:“你见到Sidorov了吗?一个已经到了的出纳员。”众人皆摇头。于是,为了做好老板所交代的事,他从公司找到周围的每一个角度,又找到全世界每一个角落,虽然最终一无所获,但他觉得总算给老板有了交代。返回公司后,他继续之前每天都在做的事,一如既往地老老实实。
Winnie the Pooh and the Honey Tree is a 1966 animated featurette based on the first two chapters of Winnie-the-Pooh by A. A. Milne. The film was directed by Wolfgang Reitherman, produced by Walt Disney Productions, and distributed by Buena Vista Distribution on February 4, 1966 as a double feature with The Ugly Dachshund. It was the last short film produced by Walt Disney, who died of lung cancer on December 15, 1966, ten months after its release. Its songs were written by the Sherman Brothers (Richard M. Sherman and Robert B. Sherman) and the score was composed and conducted by Buddy Baker. Winnie the Pooh and the Honey Tree was the first animated featurette in the Winnie the Pooh film series, in which it was later added as a segment to the 1977 film The Many Adventures of Winnie the Pooh.