本短片用拼贴手法将现实中的新闻照片糅合进由简练线条勾勒的动画里,讲述了所谓的现代文明是多么喜欢不理不睬孤立无缓的小人物。 一个被困在某个荒岛的落难者向路人求救,一艘艘船、一个个人从他面前经过,都是要么当作没看见,要么好奇地打量一番扬长而去。后来,某个国家的军队野蛮地插上国旗,将该荒岛视为本国领土。接着,媒体蜂拥而至,对他问长问短;科学家纷纷到访,拿他做实验品;旅游者一时兴起,向他推销各种无用的广告;资源开发商瞧见商机,将该岛资源采劫一空。没有人注意到,这位无助的落难者只想离开这座荒岛,回到自己的家。 短片揭露了资本主义社会对人的残酷和冷漠。
Зима. В лесу живут Лиса и Заяц. Первая живёт в «ледяной избушке», второй — в «лубяной». Лисья избушка красивее, но — вот беда! — по весне она тает, и Лиса решается на захват жилища Зайца. Используя преимущество в физической силе, она достигает этого без особого труда, и бездомный Заяц идёт «куда глаза глядят». На его пути встречается Волк, который, неожиданно проникнувшись бедственным положением Зайца, решает помочь ему выгнать захватчицу, но Лиса, используя словесные угрозы, прогоняет и его. Затем история повторяется при встрече Зайца с Медведем. Следующим ему пытается помочь Бык. И опять-таки безуспешно. Потом Зайцу встречается Петух, который также отправляется выгонять Лису-захватчицу. Используя свою саблю и храбрость, он выгоняет Лису, и остаётся жить вместе с Зайцем. 简介来自俄文维基百科。
Based on Mussorgsky’s Pictures at an Exhibition. This film used two pinscreens. In front of the main pinscreen, they installed a second, smaller one. This second pinscreen could be rotated thus giving more of an illusion of three-dimensionality
Contents Cowboys (1991) Slim Pickin's "That's Nothin'" Murder! The Conformist Outrage! The History of the World (1994) The Invention of Writing The Discovery of Language The Ten Commandments (1994-1996) Thou Shalt Not Adore False Gods Thou Shalt Not Commit Blaphemy Remember to Keep Holy the Sabbath Day Honour thy Father and Mother Thou Shalt Not Kill Thou Shalt Not Commit Adultery Thou Shalt Not Steal Thou Shalt Not Bear False Witness Thou Shalt Not Covet thy Neighbours Goods Thou Shalt Not Covet thy Neighbours Wife Intolerance (2000-2001) Intolerance Intolerance II: The Invasion Other Works The Wind of Changes (1996) The Chain (1997) The Sexlife of a Chair (1998) The Sound of Music (1992)
1973年3月17日公開。テレビ版第5話を上映。
王様は美しい声で鳴くナイチンゲールを大切にしていたが、宝石で作られた小鳥を贈られると、ナイチンゲールのことを忘れてしまう。しかし、病気で倒れた王様を死神から救ったのは、ナイチンゲールの歌声だった。
桃から生まれたももたろうは、おじいさんとおばあさんに育てられ、たくましい子どもに成長した。ある日、村を荒らした鬼を倒すため、犬、猿、雉をお供に連れ、鬼が島を目指して旅に出る。
It was a mix of photography and animation and it took up my whole vacation - sixteen hours a day. I analysed, through a film camera, a loop of thirty-six squarish black-and-white photographs representing a human being moving in a circle. What was the logic of my analysis? I decided to photograph the loop on film and repeat it thirty-six times. During every new repetition I divided the film window which I made in the shape of a square so that in every circle there was an increasing number of subdivisions; today I would say different resolutions. I put a white square of paper in the subdivisions where in the photograph there was a part of a figure; where there was not, I put a black square. I had to rearrange the white and black squares at least a hundred thousand times. On the lens I put a color filter, and then rotated it - but I don't want to bore you. What is most important about this is that not being aware of computer imaging - it was 1970, in Poland - I manufactured my own digitalê processing on film. Strange that I needed twenty-six years of work - including my work during all my next twenty five vacations - to come back to Kwadrat with full awareness and understanding of why.” - Zbig Rybczynski
RAINDANCE plays directly on the mind through programmatic stimulation of the central nervous system. Individual frames of the film are imprinted on the retina of the eye in a rhythm, sequence, and intensity that corresponds to Alpha-Wave frequencies of the brain. Preserved by the Academy Film Archive in 2010.
Production Co: National Film Board of Canada (NFB)
少年正在房间中玩模型玩具,一只映入房间的蝴蝶的剪影将他吸引,扭头看时,他被蝴蝶的美丽震住,抓起网兜跑下楼想把蝴蝶捉住。少年随着越飞越远的蝴蝶跑了许多地方,终在一片花丛中将它捕获放入玻璃瓶中,随后,他又捉了好几只美丽的蝴蝶。 少年躺在花丛中进入梦乡,他看到一只特别漂亮的蝴蝶,兴奋地抓起网兜去捕,谁想蝴蝶和网兜同时越变越大,跑不及的他反成了蝴蝶的网中之物……梦醒之后,少年意识到自己做了错事。
Executed with Disney-like animation by one of Soyuzmultfilm’s leading directors of films for children. “Plus Electrification” triumphs the USSR’s drive to bring lectricity to every town and village. It was a tenet of Vladimir Lenin that electrification plus oviet power [vlast] would lead to Communism. Electricity is shown dramatically uniting the economies of USSR and the Eastern bloc countries through production of consumer goods like Czech crystal and Hungarian buses.
A song sets the tone, followed by an animated collage in which Super 8-film, photographs, drawings, slides, detritus and fragments from musi c and popular culture are used and processed. A mobileand intense portrayal of a changing country, America, America was Åsa Sjöström’s exam film at Royal College of Art in London in 1972. (Filmform)
The preschooler Mako and the rabbit Pico learn what to watch out for when walking on the road. The work combines animation and live action to help young children learn the rules of the road in a fun and easy-to-understand way.
《少先队员的小提琴》 是1971年苏联鲍里斯·斯捷潘采夫执导的一部动画电影。该片献给伟大的卫国战争,讲述了一位年轻少先队员的英勇事迹。
A piece of abstract cinema by John Whitney. A series squares follow a 3-dimensional track, each one with a slight delay after the other.
This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
Short animated inspired by the Aesop’s fable.
Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms’ techniques and calls for respect for the environment.