"连载动漫", 共 个

花

Short animated cartoon about a lonely little fellow who walks down a road and keeps picking flowers, which out of the blue turn up in ever larger numbers. Driven by desires that grow in intensity as the bouquet expands, in the realm of dreams he meets three women who literally outgrow him. When finally, with a final effort, he picks the only flower left, the little lad collapses under the burden of his craving.

间谍狂热

该动画片刻意模仿苏维埃间谍片风格，可是其中的紧张与刺激，更像一个笑话。 　　高官在电视上看到敌国有高级换牙设备，可怜起自己受难的牙齿，立刻召来下属，布置下要把该设备偷偷弄来的任务，听命的下属二话不说找来正各行其事的三个能干的特工。敌国听闻风声，自然也不甘落后，同样布下天罗地网。于是，一场间谍战与反间谍战自此开始，敌我两方几乎不分职业不论长幼全民皆间谍（连猫也变得异常警惕），开始了上天入地的明暗争斗。——一切招数用尽，到头来不过是个巨大讽刺。        模仿一些苏联侦探电影。外国侦探负责人通过间谍的方式，试图接收一个新的苏联牙科手术扶手椅。苏联侦察兵打破了这些计划。

恐龙之丘

许多亿年前，恐龙与其它动物和平友好地在地球上生活。像许多动物一样，它们延续物种的方式是雌雄结合生子，通常，母恐龙产下蛋宝宝后，会把它放在离太阳最近的山顶，太阳的热量能使这些恐龙蛋孵化出一个个小恐龙。 　　后来，地球的环境越变越糟糕，气温逐渐降低，当恐龙蛋再被放到山顶时，太阳已经不再能给它们孵化出小恐龙的热量。再后来，恐龙这种动物从地球上消失不见。       这是一个有关成长的寓言。恐龙因为过分呵护自己的孩子而灭绝：小恐龙们不能独自解决生活中的困难，最终使得整个恐龙族群毁灭。

六人患病

A short continuously looping animation of six grotesque human figures vomiting.

马

The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".

小老鼠的歌

Jirí Trnka

洪吉童

홍정승의 서자로 태어난 길동은 봉건사회제도에 반발하여 의적이 된다. 그는 활빈당을 조직하고 탐관오리들의 재물을 탈취하고 응징하며 빈민들을 구제한다. 이에 조정에서는 그를 잡아 들이려고 백방으로 노력하지만 허사였다. 마침내 길동은 율도국을 창건하고 스스로 왕이 된다.

月光与眼镜

An adaptation of Mimei Ogawa's short story. It was a night with a beautiful moon. An optician visited an old lady who was living in a house alone just outside of town. Since she has gotten older and her eyesight has weakened, she bought a pair of large-rimmed glasses made of tortoise shell...

啄木鸟计划

What on Earth!

his animated short proposes what many earthlings have long feared – that the automobile has inherited the planet. When life on Earth is portrayed as one long, unending conga-line of cars, a crew of extra-terrestrial visitors understandably assume they are the dominant race. While humans, on the other hand, are merely parasites. An Oscar® nominee, this film serves as an entertaining case study.

波普秀

A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.

The Drop

Poem Field No. 2

To create his “Poemfields” (1965-71) series, VanDerBeek worked closely with computer scientist Ken Knowlton and the staff at Bell Labs. Each “Poemfield” was adapted from poems by VanDerBeek, programmed on an IBM 7094 computer in black and white using a custom language known as BEFLIX, and colored after the fact by artists Robert Brown and Frank Olvey. Poemfield No. 2 features a soundtrack by jazz percussionist Paul Motian, known for his collaborations with Bill Evans.

Lapis

James Whitney’s Lapis (1966) is a classic work of abstract cinema, a 10-minute animation that took three years to create using primitive computer equipment. In this piece smaller circles oscillate in and out in an array of colors resembling a kaleidoscope while being accompanied with Indian sitar music. The patterns become hypnotic and trance inducing. This work clearly correlates the auditory and the visual and is a wonderful example of the concept of synaesthesia.

Citérama

In this experimental animated short, Ryan Larkin creates a series of figures who move across the screen and disappear into a hole. Eventually, the hole metamorphoses into a bridge, on top of which stands the young man from whom the other figures originated.

画框中的男人

本片用拼贴的手法将现实中的照片糅合在动画里，形成鲜明独特的视觉风格。 　　男人一生都生活在自己订制的框架里。无忧无虑的青少年时代结束后，他像大多数人一样，踏上社会进入机遇与危机并存的职场，在某一个对他人来说倒霉透顶的场合被老板赏识，事业平步青云，遇到看上眼的女人，开始用金钱维持爱情和婚姻，逐渐变得两耳不闻“框”外事。这一过程中，加在他身上的框架变得日益复杂庞大，修饰的纹路也越来越多，他也越来越陶醉于呆在其中。

那儿有个高沙文

       Kozyavin是一名普普通通的公司小职员，每日本本分分按部就班地做着自己该做的事。 　　一天，他准时下班时被老板叫住，老板要他去找一个名叫Sidorov的出纳员，他开始逢人就问：“你见到Sidorov了吗？一个已经到了的出纳员。”众人皆摇头。于是，为了做好老板所交代的事，他从公司找到周围的每一个角度，又找到全世界每一个角落，虽然最终一无所获，但他觉得总算给老板有了交代。返回公司后，他继续之前每天都在做的事，一如既往地老老实实。

白鹤报恩

学研映画局によって『つるのおんがえし』のタイトルで1965年に人形アニメーション化され、1966年7月31日に東宝系で公開された。上映時間17分、イーストマン・カラー、文部省特選。

小熊维尼和蜂蜜树

Winnie the Pooh and the Honey Tree is a 1966 animated featurette based on the first two chapters of Winnie-the-Pooh by A. A. Milne. The film was directed by Wolfgang Reitherman, produced by Walt Disney Productions, and distributed by Buena Vista Distribution on February 4, 1966 as a double feature with The Ugly Dachshund. It was the last short film produced by Walt Disney, who died of lung cancer on December 15, 1966, ten months after its release. Its songs were written by the Sherman Brothers (Richard M. Sherman and Robert B. Sherman) and the score was composed and conducted by Buddy Baker. Winnie the Pooh and the Honey Tree was the first animated featurette in the Winnie the Pooh film series, in which it was later added as a segment to the 1977 film The Many Adventures of Winnie the Pooh.

ふしぎなくすり

製作：エコー、電通映画社 演出・人形アニメーション：岡本忠成 脚本：村治夫 音楽：真鍋理一郎 カラー 星新一の原作「盗んだ書類」を人形アニメ化。 エフ博士がふしぎな薬を発明したという噂を聞いた怪盗ドロンと手下のトンキーは、博士の研究所に薬を盗みに入る。 博士の助手ボン少年と九官鳥のネム公が賊と戦うが、結局盗まれる。 ドロンは早速トンキーに薬を飲ませたが、飲んだトンキーは突然アジトを飛び出し、博士に薬を返しに行き、詫びる。 彼らが盗んだのは、人の良心を取り戻す薬だった。 大藤賞の常連岡本忠成の初作品です。 人形アニメーションで、人形のデザインがシャープでユニークです。 また、動きにスピード感のあるのがいいですねビックリマーク 今観ても非常にモダンで垢抜けた楽しい作品だと思います。 1965年毎日映画コンクール大藤信郎賞受賞

武士

西部和苏打

电影、戏剧、音乐

The humour and irony-laden art criticism of György Kovásznai’s previous films is further developed in this short. Each of the three episodes acquired a different visual presentation. The first episode makes fun of the cinema (and its overstimulating effect), the second of the theatre (and its hypocrisy) and the third of the classical music (and its snobbism).